Friday, November 25, 2011
Story: Francis Manapul & Brian Buccellato
Art: Francis Manapul
Colors: Brian Buccellato
Letters: Sal Cipriano
Cover: Francis Manapul
Variant Cover: Jim Lee, Scott Williams with Alex Sinclair
Assistant Editor: Darren Shaw
Editor: Brain Cunningham
Flash #3 was an incredible joyride combining amazing writing and art with the ultimate cliffhanger for a story. The arc also moves forward by connecting some of the dots from the puzzle, involving pigs, discussed in the last issue. Only one nitpicking discovered and Iris West just in one scene that could set up a future storyline.
The issue begins with Barry's thoughts on coffee which I find hilarious because I am addicted to the stuff for about eight years. Also his comments about leaving the autograph were cool. It made him seem like Wally and fun loving. in Flash #1 he appeared quite the opposite very serious. Barry's personalty is being expanded. Another good writing moment was the mention of Keystone City. It is causing me to speculate about where the Flash book is going?
The art was fantastic my favorite panel involved Captain Cold who was drawn more like a metahuman(Yes, I have been playing way too much DCUO lately). My main nitpicking on this issue comes from the central theme of the last issue only being used once towards the end and Barry not solving it ( at least for right now). Hey it will be fun to see how Barry survives and tackles this one man army The use of watercolor to describe the past is once again, excellent by Manapul. The drawings of the pig and the regenerated hand strike me ass odd perhaps because they are together. Every background color seems perfect for it's panel.
I like that Iris West was hardly in the issue and that Patty Spivot was in the building when Barry got shot because it helps reinforces my view. For DC to take away Barry and Iris marriage the Patty must prove more useful in Barry's aid with the problem to justify the move.
10 (out of10)